MAK Pataudi, a tiger among men
It is not without irony that as the news of Tiger Pataudi's death was filtering in, another cricket jamboree was taking off. The opening ceremony of the Champions League T 20 was quintessential new India: a noisy, crass, stage-managed tamasha. If Pataudi had been watching, he'd probably have switched the TV set off. The world of Nawab Mansur Ali Khan Pataudi was a universe of dignity, civility and understated elegance. He was a superstar in a pre-television era, a style icon who didn't need to walk the ramp, a Nawab who didn't need to advertise his pedigree, an original Tiger before the wannabee cubs took over.
In a sense, Pataudi typified a 60s generation of romantic dreams, of chivalrous men and enchanting women who were enamoured with the idea of a Nehruvian India. If actor Shammi Kapoor redefined cinema in this period by wooing his heroines with passionate ardour, Pataudi changed the face of Indian cricket through his charismatic persona. He gave the sport a 'star' value, a new-found aggression that typified the spirit of a nation yearning to break free of its colonial baggage.
In some ways, Pataudi was an unusual candidate to lead a 'democratic' upsurge that would eventually revolutionise Indian cricket. He was, after all, a Nawab of a small princely state, who had studied in Winchester and at Oxford. A child of privilege, he was acutely conscious of his origins, and when the privy purses were abolished, he even contested an election in 1971 from Gurgaon in protest. When he lost the Indian captaincy that same year to a 'commoner' in Ajit Wadekar, he initially refused to play under Wadekar's leadership.
And yet, he was, as historian Mukul Kesavan aptly remarked, a "republican" prince, someone who led a cricket team that brought together people from different class backgrounds under one national flag. Until Pataudi arrived on the scene, Indian cricket had seen a turbulent relationship with its princely patrons. There had been enough instances where feudalism ruled over merit, most famously in 1936 when the Maharaja of Vizianagram had sent home the original 'people's' hero, Lala Amarnath, from the England tour. Unlike Vizzy, Pataudi knew how to hold a cricket bat rather well and perhaps it was the faith in his own ability that allowed him to discover new talents from across India.
Indian cricket didn't win much in the 1960s under Pataudi's leadership, but for the first time, a genuine sense of meritocracy crept into the game. The Indian middle classes were coming into their own on the cricket field with Mumbai's maidans and gymkhanas leading the way. Pataudi gave the confidence to this new generation of urban middle class cricketers to express themselves with a self-belief that had been missing in the initial post-independence period. Even if they lost more games than they won, a desire to compete was instilled in the team. In particular, it was Pataudi's cricketing instincts that saw him introduce into Indian cricket a quartet of spin bowlers - Bedi, Prasanna, Chandra and Venkat - and convert them into potential match-winners. If 1971 was to prove a turning point in Indian cricket, then the foundation for the success was laid by Pataudi's inspirational leadership through the 1960s.
His test batting record was modest, but to judge Pataudi by the volume of runs he made would be unfair. That he was able to play cricket after losing sight in one eye is itself quite remarkable. That despite the handicap, he could take on the fastest bowlers in world cricket is an achievement almost unparalleled in the sport. And yet, Pataudi wore the burden of his disability very lightly. As he once said in an interview, "I may have lost an eye, but I did not lose my ambition!"
Indeed, under that gentle, easygoing manner lurked a fierce competitor, someone blessed with a natural talent for all sport. He was perhaps the first Indian cricketer to actually 'enjoy' fielding, an aspect of the game that was seen at times to conflict with its princely origins. Traditionally, princes were meant to bat in Indian cricket, leaving the more arduous task of fielding to the lesser mortals. Pataudi changed that by literally bringing the eye of the tiger to the art of fielding.
Pataudi was a trend-setter in other ways too. His family had been divided by Partition, he had aunts, uncles and cousins on both sides of the border. But he never allowed the scars of those divisions to affect his secular cosmopolitanism. He defied family and custom to marry Sharmila Tagore in an age where Hindu-Muslim marriages were uncommon. It was the first sportsman-cinema alliance, and easily the most successful.
And yet, for all his achievements on and off the field, he remained at heart the shy public schoolboy, an anglicized gent in a desi environment. Not surprisingly, his afterlife in cricket was a shade more difficult. Perhaps, the frenetic pace of new India frazzled him. He was occasionally tempted into trying his hand at politics, but clearly he was not cut out for the rough and tumble of elections. Nor was he comfortable with a cricketing establishment populated by men with petty minds and kingsize egoes. Pataudi was never going to bow and scrape before officials who wouldn't know the difference between a square cut and a late cut, and barring a brief encounter with the IPL governing council, he chose to stay away from sports administration.
He did, however, become the president of the Players Association, which was perhaps his way of reaching out to the next generation of cricketers. Today, of course, with multi-crore contracts, the players don't feel the need for any association. But if today's cricketers are cash-rich celebrities, it's because of the torch that was lit by the likes of Pataudi many years ago.
More about Rajdeep SardesaiRajdeep Sardesai is the Editor-in-Chief, IBN18 Network, that includes CNN-IBN, IBN 7 and IBN Lokmat. He comes with 22 years of journalistic experience during which he has covered some of the biggest stories in India and the world. Prior to setting up the IBN network, he was the Managing Editor of both NDTV 24X7 and NDTV India and was responsible for overseeing the news policy for both the channels. He has also worked with The Times of India for six years and was the city editor of its Mumbai edition at the age of 26. During the last 22 years, he has covered major national and international stories, specialising in national politics. He has won numerous other awards for journalistic excellence, including the prestigious Padma Shri for journalism in 2008, the International Broadcasters Award for coverage of the 2002 Gujarat riots and the Ramnath Goenka Excellence in Journalism Award for 2007. He has won the Asian Television Award for best talk show for the Big Fight on two occasions and his current flagship show on CNN-IBN, India at 9, has been awarded the best news show at the Asian awards for the last two years. He has been News Anchor of the year at the Indian Television Academy for seven of the last eight years and won more than 50 awards in this period. He has also been the President of the Editors Guild of India, the only television journalist to hold the post and was chosen a Global leader for tomorrow by the world economic forum in 2000. An alumni of St Xavier's College, Mumbai, he has done his Masters and LLB from Oxford University and has also played first class cricket for the Oxford University team. He has contributed to several books and writes a fortnightly column that appears in seven newspapers.
- + The striking similarities of Modi and Indira's politics
- + AAP and the business of Delhi-centric news
- + Both 1984, 2002 a blot but conviction better in Gujarat
- + Cometh the anti-establishment neta
- + Can Arvind Kejriwal avoid a repeat of the 1989 VP Singh phenomena?
- + India is changing and it's in the positive direction
- + Arvind Kejriwal-AAP success has many lessons for Rahul Gandhi
- + Kejriwal and Modi: Agents of change promising too much, too soon
- + Don't ban opinion polls, but bring in a code of conduct for pollsters