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The Hindi film industry and its sorority of regional-language sister industries in the sub-continent has elevated the song-and-dance sequence to a rare art form. Inspired partly by turn-of the-century stage adaptations of popular "musicals" in the West and partly by the equally popular though entirely home-grown Parsi theatre, film songs serve a variety of purposes. Studded at judicious intervals all through the story, they can make a more telling statement than mere dialogue; they can be both entertaining and illuminating; they can, of course, leaven an otherwise flat story with humour and spice and colour. Though the average song "picturisation" does tend to require large dollops of "willing suspension of disbelief" given the mind-boggling change of costumes, the hordes of incredibly dressed background artistes who descend every time the hero and heroine romance against sylvan backdrops (imagine something more incongruous than Rajasthani...Read more...



More about Rakhshanda Jalil

Rakhshanda Jalil writes on culture, literature and society. She has published over 15 books, including the much-acclaimed book on Delhi's lesser-known monuments called 'Invisible Delhi' and a well-received collection of short stories, called 'Release & Other Stories' (Harper Collins, 2011). She blogs at www.hindustaniawaaz-rakhshanda.blogspot.com. Her Ph D is on the Progressive Writers' Movement.

Recent Posts by Rakhshanda Jalil

In this blog
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Seamus Heaney R.I.P

ELECTRIC TEXT

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... O that awful deepdown torrent O and ...

... the sea

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